| 不同美学思想导控下的形、神流变 |
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| 引用本文： | 彭善秀. 不同美学思想导控下的形、神流变[J]. 云南师范大学学报(哲学社会科学版), 2003, 35(4): 50-54 |
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| 作者姓名： | 彭善秀 |
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| 作者单位： | 昆明高等师范专科学校,云南,昆明,650031 |
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| 摘 要： | “形似与神似”一直是美术作品的参照系。古往今来,不同的美学思想都会影响这个参照系的变化。本便是从我国的美术发展史中不同时期的美学思想的导控下来探索形似与神似之间的比重与变化关系。
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| 关 键 词： | 儒家 老庄 禅宗 美学 形似神似 |
| 文章编号： | 1000-5110(2003)04-0050-05 |
| 修稿时间： | 2003-02-26 |
Evolution in form and soul under the guidance and control of different aesthetic ideas |
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| PENG Shan-xiu. Evolution in form and soul under the guidance and control of different aesthetic ideas[J]. Journal of Yunnan Normal University(Philosophy and Social Sciences Edition), 2003, 35(4): 50-54 |
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| Authors: | PENG Shan-xiu |
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| Abstract: | Likeness in form or spirit" has been a criterion of artistic works. Any different ideas would have a great influence on the changes of this criterion. This thesis is to explore the proportion and relationship between the form and spirit on basis of aesthetic guidance and control in the history of Chinese aesthetics. |
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| Keywords: | confucianist,Lao-zi and Zhuang-zi,chan sect of Buddlism in China,aesthetics," Likeness in form or spirit, |
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