| 论中国传统音乐美学中的"和"理念 |
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| 引用本文： | 恽彩锋. 论中国传统音乐美学中的"和"理念[J]. 连云港师范高等专科学校学报, 2006, 0(2): 45-47 |
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| 作者姓名： | 恽彩锋 |
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| 作者单位： | 南京艺术学院,尚美学院,江苏,南京,210013 |
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| 摘 要： | 文章认为中国传统音乐对于“和”的关注与表现正是出于对中国传统儒、道、释三种哲学思想的观照,这种观照使得中国传统音乐具备了自身独特的审美理念和表现形式,进而对当今的中国音乐研究与表现产生了深远的影响。
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| 关 键 词： | 和 中和 传统音乐 音乐美学 和谐 |
| 文章编号： | 1009-7740（2006）02-0045-03 |
| 收稿时间： | 2005-12-21 |
| 修稿时间： | 2005-12-21 |
The Idea "He" in Chinese Traditional Musical Aesthetics |
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| YUN Cai-feng. The Idea "He" in Chinese Traditional Musical Aesthetics[J]. Journal of Lianyungang Teachers College, 2006, 0(2): 45-47 |
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| Authors: | YUN Cai-feng |
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| Abstract: | According to the article,performance and attention paid by Chinese traditional music to "He" proceed from care towards the traditional Chinese philosophical ideas,which are composed of 3 parts: Confucianism,Taoism and Buddhism.This kind of care enables Chinese traditional music to have it's unique tasting concept and performing form and thus has a far-reaching influence upon musical research and performance nowadays in China. |
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| Keywords: | " He" ," Zhonghe" ,traditional music,musical aesthetics,harmony |
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