苏轼的灵感论(续)

苏东坡把灵感看作是创造力的精华，是解决久悬未决问题的突破口，是最佳创作状态的体现。与古来作家、艺术家相较，东坡对灵感的发生及其特性，有着更为详尽而具体的论述和描绘。苏东坡是位从多方面发掘和主动把握灵感、表现悟性智力，推动艺术创新层出不穷的伟大作家。他对灵感的把握和理解，堪称是我国古代文论中首屈一指者，是传统灵感理论研究的集大成者。他不仅超越了历代作家论灵感的成果范畴，还与现代灵感思维科学相连相辅，具有巨大的借鉴、启迪意义，非常值得我们深入探析和研究。

Su Shi's Inspiration Theory (Continued)

Su Shi believes that inspiration is the essence of creation, the break for long unsettled problems and the embodiment of the best creative state. Compared to the other ancient writers and artists, Su Shi discusses and describes the emergence and features of inspiration in a more detailed manner. He is a great writer who explores and develops inspiration actively from many aspects, displays comprehensible intelligence and promotes endless artistic innovation. His assurance and understanding of inspiration can be rated as the best one in ancient articles. He gathers all features of other traditional theoretical inspiration research and brings them together. His research has not only surmounted the achievement category of past writers' inspiration theory, but also linked with and complemented the science of modern inspiration thought. Its huge significance is worth our deeply analysis and research.