| 对中国传统民族声乐理论的再认识 |
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| 引用本文： | 张豫宁.对中国传统民族声乐理论的再认识[J].南京晓庄学院学报,2003,19(1):106-109. |
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| 作者姓名： | 张豫宁 |
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| 作者单位： | 南京晓庄学院音乐系,江苏,南京,210036 |
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| 摘 要： | 千百年来 ,中国传统民族声乐理论经过历代声乐家和声乐理论家们孜孜不倦地探索和实践 ,已经逐步形成了较科学的理论体系。这些理论从各个不同的角度阐述了中国民族声乐对歌唱的发声、呼吸、共鸣、润腔、咬字吐字和情感表现的要求以及训练方法和审美标准。因此 ,运用传统民族声乐理论的精髓来指导现今的声乐教学 ,具有积极的指导意义
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| 关 键 词： | 传统声乐理论 民族声乐 气息 共鸣 |
| 文章编号： | 1009-7902(2003)01-0106-04 |
| 修稿时间： | 2002年1月10日 |
Restudies of the Theory of Chinese Traditional Vocal Music |
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| Zhang Yu-ning.Restudies of the Theory of Chinese Traditional Vocal Music[J].Journal of Nanjing Xiaozhuang College,2003,19(1):106-109. |
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| Authors: | Zhang Yu-ning |
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| Institution: | Zhang Yu ning |
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| Abstract: | The theory of Chinese traditional vocal music has developed into a scientific system through the tireless research work and practice by the singers and theorists over the long years.They have described and explained the training methods and aesthetic standards of vocalization,breathing,resonance,tune,pronunciation and the presentation of sentiments.Therefore,the essence of the theory can be taken as a guide in today's vocal music teaching. |
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| Keywords: | theory of traditional vocal music traditional vocal music breathing resonance |
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