| 从儒家诗教到"超功利说" --西方启蒙美学对中国传统美学的矫正 |
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| 引用本文： | 牛宏宝. 从儒家诗教到"超功利说" --西方启蒙美学对中国传统美学的矫正[J]. 咸阳师范学院学报, 2003, 18(1): 30-35 |
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| 作者姓名： | 牛宏宝 |
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| 作者单位： | 中国人民大学,哲学系美学研究所,北京,100872 |
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| 摘 要： | 中国传统美学受儒家诗教的影响，总是把审美与道德纠缠在一起。20世纪上半地，中国学从西方引进美学，形成了支撑美学学科的独立原则：“超功利性”和“形象的直觉”。这两个原则不仅支撑了中国独立的美学学科，把美从道德的纠缠下解放出来，而且承担了新化运动“借思想化以解决问题”的启蒙使命。
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| 关 键 词： | 启蒙美学 儒家诗教 传统美学 西方美学 新文化运动 |
| 文章编号： | 1008-7591(2003)01-0030-06 |
| 修稿时间： | 2002-10-10 |
From Confucian Doctrine to Utilitarianism --Correction of traditional Chinese Aesthetics by Western Aesthetics |
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| NIU Hong-bao. From Confucian Doctrine to Utilitarianism --Correction of traditional Chinese Aesthetics by Western Aesthetics[J]. Journal of Xianyang Normal University, 2003, 18(1): 30-35 |
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| Authors: | NIU Hong-bao |
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| Abstract: | Traditional Chinese Aesthetics is influenced by Confucianism. It connects aesthetics with morality. In the middle of 20th century, Chinese scholars introduced western aesthetics into China and made two principles in aesthetics: super - utilitarian and direct image. The two principles pillar the Chinese aesthetics, separate morality from aesthetics and carry on the task of solving problems by new culture in the new cultural moment. |
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| Keywords: | initial aesthetics Confucian doctrine traditional aesthetics western aesthetics |
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