论中国伦理情节剧电影叙事结构艺术的创新

故事情节的戏剧性,叙事的连贯性,节奏的均衡性,是中国伦理情节剧电影突出的艺术特征,从郑正秋到蔡楚生再到谢晋,他们在各自的电影是作中对传统的叙事结构不断突破和创新,形成了不同的结构特征,郑政秋的“巧而简”,蔡楚生的“巧而实”,谢晋的“巧而真”,都是在继承和发扬传统叙事经验的基础上的创新,而谢晋融合了现代电影以心理活动为情节线索的叙事方法,其创新步伐更大。

On Narrating Structure Artistry In Chinese Ethic Story Film

The being dramatic of story plots, continuity of narration and balance of rhythms are the outstanding characteristics of Chinese ethic film. Analyzing from Zheng Zhengqiu to Cai Chushen and to Xie Jin, we find that they have been all unceasingly breaking through the traditional narrating structure in their own film creations, and formed different characteristics of structures. Zheng's "skilful and concise", Cai's "skilful and true" and Xie's "skilful and real" are innovations on the basis of inheriting and developing traditional narrating experience. However, Xie Jin has created a narrating approach making psychological activities as the plot line, combining with modern films.