| 论中国影视艺术的"家-国一体化"叙事 |
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| 引用本文： | 彭文祥. 论中国影视艺术的"家-国一体化"叙事[J]. 河北师范大学学报(哲学社会科学版), 2008, 31(1): 81-86 |
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| 作者姓名： | 彭文祥 |
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| 作者单位： | 中国传媒大学,宣传部/新闻中心,北京,100024 |
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| 摘 要： | "家-国一体化"叙事是中国影视艺术的重要叙事特点,具体表现在:1."伦理泛情化"的叙事策略;2.着重于"家庭"、"社会"、"政治"的三种叙事结构;3."交融性"和"交叉性"的二种叙事形态。
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| 关 键 词： | 中国影视艺术 家-国一体化 叙事 |
| 文章编号： | 1000-5587(2008)01-0081-06 |
| 修稿时间： | 2007-10-25 |
On the integration of nation and family narration in Chinese movies |
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| PENG Wen-xiang. On the integration of nation and family narration in Chinese movies[J]. Journal of Hebei Normal University(Philosophy and Social Science), 2008, 31(1): 81-86 |
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| Authors: | PENG Wen-xiang |
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| Abstract: | The paper evaluates the interrelationship between tradition and modernity,and claims that the integrative narration of nation and family is a significant feature of Chinese movies.In addition,the paper demonstrates a detailed analysis of the artistic features in the texts of plays. |
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| Keywords: | art of movies integration of nation and family narration |
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