| 中国画“形”“神”结构及潜在话语解读 |
| |
| 引用本文： | 黄思阳.中国画“形”“神”结构及潜在话语解读[J].青海师范大学学报(哲学社会科学版),2008(4):108-111. |
| |
| 作者姓名： | 黄思阳 |
| |
| 作者单位： | 泉州师范学院艺术学院,福建,泉州,362000 |
| |
| 摘 要： | “形”与“神”是中国画领域中对举的两个概念，它们十分巧妙地结合在一起，不仅具有不同的结合层次，而且其中包含不同的潜在话语。中国画“形”“神”结构及潜在话语，包括“形外之形”和“神外之神”两个方面。它们影响着中国画的创作、审美和文化价值，具有一定的社会功能。解读潜在话语是中国画的一个重要话题。
|
| 关 键 词： | “形” “神” 结合层次 潜在话语 形外之形 神外之神 |
Decoding the Form and Essence Structure of the Traditional Chinese Painting and its Potential Discourse |
| |
| HUANG Si-yang.Decoding the Form and Essence Structure of the Traditional Chinese Painting and its Potential Discourse[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2008(4):108-111. |
| |
| Authors: | HUANG Si-yang |
| |
| Institution: | HUANG Si - yang ( The Arts College of Quanzhou Normal university, Quanzhou 362000, China) |
| |
| Abstract: | ‘Form＇ and ‘Essence＇ are two opposite concepts in the traditional Chinese painting, which are well combined not only with different layers of combination but involving different potential discourses. The ‘Form＇ and ‘Essence＇ structure of the traditional Chinese painting and its potential discourse include the following two respects ： ‘the shape off the form＇ and ‘the essence off the essence＇. They produce an effect on creation, aesthetic standards and cultural value of the traditional Chinese painting having a certain social function. Decoding the potential discourses is an important topic for the traditional Chinese painting. |
| |
| Keywords: | form essence layers of combination potential discourse the shape off the form the essence off the essence |
| 本文献已被 维普 万方数据 等数据库收录！ |
