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下沉视点 反抗虚构——论“新写实小说”的创作特点
引用本文:程云莉.下沉视点 反抗虚构——论“新写实小说”的创作特点[J].西北师大学报,2007,44(3):79-82.
作者姓名:程云莉
作者单位:兰州大学外国语学院,甘肃兰州730000
摘    要:产生于20世纪末的中国“新写实小说”是当时社会背景下的一个必然。它化解了当代小说传统的写作模式,以下沉的创作视角和摒弃虚构的细节,使当代中国文学回到了生活的原生状态。一大批简洁平实却具有震撼力的作品的出现满足了读者的阅读期待,成为20世纪90年代的文学亮点。

关 键 词:新写实小说  视点下沉  反抗虚构
文章编号:1001-9162(2007)03-0079-04
收稿时间:2006-12-10
修稿时间:2006年12月10

Lowered Perspective and Non-fabricated Details——Writing Features of New Realism Stories
CHENG Yun-li.Lowered Perspective and Non-fabricated Details——Writing Features of New Realism Stories[J].Journal of the Northwest Normal University(Social Sciences),2007,44(3):79-82.
Authors:CHENG Yun-li
Abstract:In the late 1980s,there emerged a different way of story writing,known as the New Realism.It decoded the traditional way of story writing and brought the Chinese literature back to the original state of life itself with its completely new writing elements such as a lowered perspective and not fabricated details.The large collection of simple yet touching stories written in this period satisfied the readers'reading expectation and enjoyed great popularity.
Keywords:New Realism  lowered perspective  non-fabricated details
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