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《金瓶梅词话》校读拾零(三)
引用本文:刘世杰. 《金瓶梅词话》校读拾零(三)[J]. 泉州师范学院学报, 2004, 22(3): 97-97
作者姓名:刘世杰
作者单位:泉州师范学院,人文学院,福建,泉州,362000
摘    要:嚇(唬、吓)一、P7行1:只见坡下钻出两只大虫来,武松[九]大惊道:“阿呀,今番我死也!”

文章编号:1009-8224(2004)03-0097-01

On Artistic Influence by ZHOU YI''s TAI JI Thought
HUANG Jian. On Artistic Influence by ZHOU YI''s TAI JI Thought[J]. Journal of Quanzhou Normal College, 2004, 22(3): 97-97
Authors:HUANG Jian
Abstract:As far as Chinese art,YIN YANG viewpoint and TAI JI thought derived from ZHOU YI have been embedded deeply into Chinese artistic creating for thousand years,the typical examples are traditional Chinese painting and mountains-and -waters painting.If people do not find the basis to explain the methodology of "Qi"and"Yun"from the origin,the know of traditional culture is all in vain."Qi"expresses an invisible space concept,it has raised to a cultural philosophical concept in Chinese eyes,the explanation of this problem will be of benefit to the search for the latent structure in Chinese national artistic form,and the modern signification of latent structure at present would be found.
Keywords:artistic latent structure,TAI JI thought,YIN YANG viewpoint,"  Qi"  
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