《全元戏曲·赵氏孤儿记》辑校商榷

本文就《全元戏曲·赵氏孤儿记》的剧目说明提出三点商榷意见。一、赵氏孤儿题材南戏非由纪君祥杂剧《赵氏孤儿》直接影响出现 ,亦非产生在元代后期。二、该剧目说明根据景李虎《元代南戏〈赵氏孤儿记〉的重要价值及版本源流》一文提要而成。然景文所概括的赵氏孤儿剧目的版本源流既不确也不全。三、《六十种曲》本《八义记》并非徐元所作。毛晋于《八义记》下署名徐元 ,造成有清一代著录上的误会。而徐本则是更接近史实的本子。

A Discussion on Compilation and Textual Criticism of Notes for the Zhaos' Orphan in The Traditional Operas Throughoutthe Yuan Dynasty

Three suggestions are made in this thesis on the basis of the synopsis of N otesfor the Zhaos' Orphan in The Traditional Operas Throughout the Yuan Dynasty.Firstly,southern plays of the sub- ject matters of the Zhaos'Orphan did neither appear on account of the directinfluence of the zaju The Zhaos'Orphan written by Ji Junxiang,nor were they produced in the later stage of the Yuan Dynasty. Secondly,the synopsis was written according to a summary of the article" The Importance as Well as the Origin and Developmentof Its Editions of the Yuan Dynasty's Southern Play Notes for the Zhaos' Orphan written by Jing L ihu,butthe listof plays summed up in Jing's article were neither reliable nor complete in the origin and development of its editions.Thirdly,Romance of the Eight Righteous Per- sons in the edition of Sixty Sorts of Qu was not written by Xu Yuan,but Xu Yuan's name signed by Mao Jin to Romance of the Eight Righteous Persons caused lots of misunderstandings in writings dur- ing the Qing Dynasty.Xu's edition,however,is really an edition that is near to historical facts.