| 中国古代意象论的文论与美学意义 |
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| 引用本文： | 张利群.中国古代意象论的文论与美学意义[J].广西师范大学学报(哲学社会科学版),2005,41(4):47-50. |
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| 作者姓名： | 张利群 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 摘 要： | 中国古代意象论着眼于意与象的融合来讨论艺术形象和审美形象的创造问题，是中国古代文论和美学理论的重要组成部分，在一定程度上决定了中国古代文论和美学理论的表现说性质、特征、功用、价值和意义。意象论不仅具有艺术形象塑造的意义，而且具有中国古代文论和美学理论建设和发展的重要意
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| 关 键 词： | 意象 表现说 艺术形象 文艺观 美学价值 |
| 文章编号： | 1001-6597(2005)04-0047-04 |
| 收稿时间： | 08 10 2005 12:00AM |
| 修稿时间： | 2005年8月10日 |
ANCIENT CHINESE SUBJECTIVE IMAGISM AND ITS ESTHETIC SIGNIFICANCE |
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| ZHANG Li-qun.ANCIENT CHINESE SUBJECTIVE IMAGISM AND ITS ESTHETIC SIGNIFICANCE[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2005,41(4):47-50. |
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| Authors: | ZHANG Li-qun |
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| Institution: | Department of Chinese Language and Literature, Guangxi Normal University, Guilin 541004,China |
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| Abstract: | The ancient Chinese subjective imagism focuses on the amalgamation of subjective and image in the discussion of the creation of the subjective image in art and the objective image in esthetics. It is a component of the ancient Chinese literary theory and esthetic theory and, to a certain extent determines the nature, feature, function, value, and significance of both theories. Subjective imagism is important not only in the creation of artistic image, but also in the formation and development of both theories. |
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| Keywords: | subjective image representationism artistic image esthetic value |
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