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中国古代文学中的"乐极生悲"模式--一种情感与理性间奇特的"二律背反"现象
引用本文:周霜红.中国古代文学中的"乐极生悲"模式--一种情感与理性间奇特的"二律背反"现象[J].南京师范大学文学院学报,2005(2):20-23.
作者姓名:周霜红
作者单位:广西师范大学,中文系,广西,桂林,541004
摘    要:“乐极生悲”是中国古代学中一个常见的现象,它几乎流泛于中国学史的全程。可以说,它是作为传统化心态的独特表现形式而渗透到学作品的艺术构思、形象塑造、抒情题材及表现技巧等各个领域之中,其本质是中国人生命意识的逼真写照,汇集着中国古代人的人生情感、审美意识和价值观念。

关 键 词:乐极生悲  二律背反  文化蕴涵  审美价值
文章编号:1008-9853(2005)02-020-04
修稿时间:2005年1月20日

The Mode of "Joy at Its Height Engenders Sorrow" in Ancient Chinese Literature -- A Queer "Antinomy" between Sentiment and Reason
Zhou Shuanghong.The Mode of "Joy at Its Height Engenders Sorrow" in Ancient Chinese Literature -- A Queer "Antinomy" between Sentiment and Reason[J].Journal of Chinese Language and Culture School Nanjing Normal University,2005(2):20-23.
Authors:Zhou Shuanghong
Abstract:"Joy at its height engenders sorrow" is a common phenomenon in ancient Chinese literature and is pervasive through almost the whole process of Chinese literature. We might say that as a unique form of expression of traditional cultural psychology, it infiltrates into such domains as the artistic conception, characterization, poetic themes, and skills of expression of literary works. Its nature is the photographic portrayal of the consciousness of life of ancient Chinese literati, and a congregation of their life sentiment, aesthetic consciousness, and concept of value.
Keywords:Joy at its height engenders sorrow  antinomy  cultural connotation  aesthetic value  
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