文学独立自觉的理论风标--汉代辞赋品评透视

汉代的辞赋品评,是真正意义上的对作家个体美文创作的文学评论。虽然政教价值观仍合理地得以延续,但它主宰文学批评的局面巳被打破,审美愉悦价值正式得到承认;赋家品评定位中的唯美倾向和辞宗赋首的推出,搁置了政教批评坚守的原道、宗经、征圣的旧准则,确立了文学自身新的审美范型和新的传统;对创作主体的情感、个性、才情以及审美把握世界的心灵妙奥的关注。是文学观念向着文学本体进一步深化的重要体现。所有这些理论景观,都标志着文学的独立自觉。并昭示着魏晋六朝文学理论批评的发展方向。

The Far-reached Theoretical Conceit Formed by the Independent Consciousness of Literature

Criticism on "cifu" the popular literary genre in Han dynasty is the real criticism on the individualistic beauty of the particular composer in literature. Though the values of unit of politics and enlightment by education survived, its dominance in literary criticism had been overthrown and esthetical pleasure was formally accepted. That the aestheticism was held by the critics and the principle of first "fu" and preferred "ci" was established adumbrated the field in which the new literary aesthetical area and tradition of its own were demarcated and set up. That the significant show found its way into the feelings, personality, wits as well as the apprehension of the subtlety of the mind of the subject was the further step into literary conception. What has been described made their marks on literary independence and pointed to the processing direction of the literary criticism of Wei—Jin's six dynasties.