| 略论十四世纪法国的“新艺术” |
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| 引用本文： | 杨传红. 略论十四世纪法国的“新艺术”[J]. 襄樊学院学报, 2006, 27(4): 116-120 |
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| 作者姓名： | 杨传红 |
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| 作者单位： | 襄樊学院,音乐系,湖北,襄樊,441053 |
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| 摘 要： | 十四世纪法国出现的“新艺术”,在西方音乐发展史上并没有得到充分的阐释,或许它通常只是作为一个“过度性”的阶段进入音乐史的视野?亦或是法国音乐在史学家们看来还没有达到与德奥及意大利音乐并驾齐驱的高度。文章正是基于这种思考,期望通过对“新艺术”的梳理,从而真正厘清法国“新艺术”对整个近代欧洲音乐文化及其发展方向的影响。
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| 关 键 词： | 法国 新艺术 美学思想 和声风格 |
| 文章编号： | 1009-2854(2006)04-0116-05 |
| 收稿时间： | 2006-04-21 |
| 修稿时间： | 2006-06-28 |
On "the New Art" of France in Fourteenth Century |
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| YANG Chuan-hong. On "the New Art" of France in Fourteenth Century[J]. Journal of Xiangfan University, 2006, 27(4): 116-120 |
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| Authors: | YANG Chuan-hong |
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| Affiliation: | Department of Music, Xiangfan University, Xiangfan 441053, China |
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| Abstract: | "The new art"(Ars Nova),which appeared in France in Fourteenth Century,has not obtained the full explanation in the western music history,perhaps because it is only regarded as the transitional stage in the music history,or the historians do not believe the French music keeps pace with the German and Austria music,and the Italian music.By detailed review of "the new art",this article indicates its great influence to the entire Europe modern music culture and its development direction. |
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| Keywords: | France The new art Aesthetics thought Harmony style |
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