从接受美学角度看辜译元散曲之俗文化翻译

元散曲,作为一代文学元曲的重要组成部分,有着明显的俗文学特征,而向俗文学的转变正是中国古典文学的一个重要转折点,遗憾的是有关元散曲的译作和研究甚少。文章在接受美学视界下以辜正坤所译《元曲一百五十首》为例,探讨元散曲翻译中根据读者＂期待视野＂和＂审美距离＂等接受美学特征,对元散曲翻译时下俗字词、用典和内容风格的把握和处理进行研究,以达到＂人类共有＂的功能的审美愉悦。

On Gu Zhengkun's Translation of Demotic Cultural Elements in Yuan Qu-poetry from the Perspective of Reception Aesthetics

Yuan Qu-poetry,as one of the important part of Yuan Qu,gains the distinct feature of folk literature which is the important turning point in the history of Chinese Classic Literature.However,it is a pity that there are only a few translated works and studies about it.This article will give a research on 150 Masterpieces in Yuan Qu-poetry which was translated by Gu Zhengkun in accordance with the reception aesthetics theory to explore the grasping and adjustments of folk words and phrases,slangs,allusions,co...