论电视剧《苏东坡》的悲剧性质及其现实意义

历史正剧《苏东坡》首播以来得到观众与专家的高度评价,将之定性为"悲剧"或许更为恰当。该剧力矫当下影视"回避悲剧"的误区,再现了伟人苏轼最具文化深度的悲剧"宿命":"情本"理想永远领先于现实,却又受制于现实。他要寻找当时社会的具体出路以及人生的根本出路,也就承担了双重的悲哀。中国文化有着最彻底的悲剧意识,那就是"人活着"一切都要靠自己建构并不断被追询。悲剧使人震撼甚至恐惧,同时却激发了人之为人的尊严与力量,该剧正是再现了传统士人那种毅然崛立的悲剧精神,以此激励当代社会。某种意义上讲,它堪称当代影视的里程碑。

Tragic Nature and Realistic Significance of the Teleplay Su Dongpo

Historical serious drama Su Dongpo ha s been thought highly of the qualitative by audience and experts since its premiere. It may be more appropriate to characterize it as a tragedy. By working to cor-rect the myth of avoiding tragedy among contemporary movies and TV dramas, this play reproduced the great man’s tragic fate in depth of culture： the ideal of “emotion noumenon” is always ahead of the reality, but constrained by the reality. Su Dongpo wanted to seek out the definite way for society as well as the funda-mental way of life, thereby he bore a double tragedy. There is the most thorough consciousness of tragedy in Chinese culture, that is ,“human be alive” while everything is on your own construction and continue to be inquired. Tragedy shocks, even fears people, while it inspires people of their human dignity and strength. This play reproduces the tragic spirit of the traditional scholars who kept a foothold resolutely, in order to inspire contemporary society. In a sense, it can be called a milestone in contemporary films.