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马克思的实践感性观及其审美现代性
引用本文:杜学敏. 马克思的实践感性观及其审美现代性[J]. 陕西师范大学学报(哲学社会科学版), 2002, 31(4): 83-88
作者姓名:杜学敏
作者单位:陕西师范大学 文学院,陕西 西安 710062
摘    要:马克思的人的本质对象化和人的全面解放思想的美学特质,建基于其实践、能动和历史性的实践感性观之上。这使他不仅完成了从感性认识论美学向人类存在本体论意义上的实践感性学美学转换,超越了他以前的旧哲学美学,而且以其对感性本质的深刻把握宜人审美现代性问题性之中,对理解他以后的中西美学发展和当代审美文化建设也具有巨大的理论与实践价值。

关 键 词:马克思  实践感性观  审美现代性  当代审美文化
文章编号:1000-5293(2002)04-0083-06
修稿时间:2001-11-08

Marx''''s View of Practical Perception and Aesthetic Modernity
DU Xue min. Marx''''s View of Practical Perception and Aesthetic Modernity[J]. Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition), 2002, 31(4): 83-88
Authors:DU Xue min
Abstract:Marx based his objectification of man and aesthetic speciality of man's complete liberation in thought on his practical perception concerning practice, conscious dynamic role and history. Thus he was able to complete the transition from an aesthetics of perceptual cognition to an aesthetics of practical perception in terms of the ontology of human existence, in which he transcended all the former schools in the aesthetic world. Moreover, his deep understanding of its essence of perceptuality made him able to be conscious of the concern of aesthetic modernity. This theoretical advancement of Marx's in aesthetics is of significant theoretical and practical value both to a proper understanding of the later development of the Oriental and the Occidental aesthetics and construction of contemporary aesthetic culture.
Keywords:Marx's view of practical perception  Marx's thought in aesthetics  aesthetic modernity  contemporary aesthetic culture
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