古建筑模型制作技艺的造物文化“再传承”

古建筑模型制作技艺是中国传统造物实践和审美理念的重要表现，也是国家级非物质文化遗产之一。中国传统模型制作技艺在唐宋时期已有高水平发展，清代“样式雷”的“烫样”模型更是达到“空前之作”的技艺高度。从“精益求精”的匠技实践、“传统礼制” 的象征表达、“以人为本” 的美学理想三个文化层面对技艺进行解读，提出符合新时代古建筑模型制作技艺“适应性创造”的“再传承”理念。探索模型制作技艺在当代传承与发展中的更多可能性，在审美范式上对其加以提升，从而树立新时代造物思想和美的“范式”。

Re-inheritance of the creation culture of ancient architectural model-making technology

The model-making technique of ancient architecture is an important expression of Chinese traditional creation practice and aesthetic concept, and it is also one of the national intangible cultural heritages. The traditional Chinese modeling skills had been developing at a high level in the Tang and Song Dynasties. Up to the Qing Dynasty, the “ironed paper models” by the famous “Lei Family of Beijing Architects” reached an “unprecedented” technical height. An interpretation was made of the craftsmanship from three cultural layers: the craftsmanship practice of “striving for perfection”, the symbolic expression of “traditional rituals”, and the aesthetic ideal of “people-orientation”, so as to put forward the concept of “adaptive creation” which is in line with the “re-inheritance” of ancient architectural model-making skills in the new era. An exploration was made for more possibilities of model-making techniques in contemporary inheritance and development, so as to improve it in the aesthetic paradigm, thus establishing the creation thought and beauty “paradigm” in the new era.