| 《康熙来了》中陈汉典的符号化探析 |
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| 引用本文： | 侯亚宁. 《康熙来了》中陈汉典的符号化探析[J]. 佳木斯教育学院学报, 2012, 0(8): 31-32,38 |
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| 作者姓名： | 侯亚宁 |
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| 作者单位： | 武汉理工大学 湖北武汉 430070 |
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| 摘 要： | 陈汉典作为综艺节目《康熙来了》的助理主持,在近几年中从默默无闻到家喻户晓,这样的快速走红看似偶然,实则有其内在的规律可循。符号学原理、弗洛伊德人格理论和喜剧理论可以作为方法论,通过对节目表现形式、节目角色定位和节目类型三个部分使我们更深入、透彻地了解、分析陈汉典走红的内在本质。
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| 关 键 词： | 能指 所指 三重人格 喜剧 |
Symbolic analysis of Chen Han Dian in "KangXi" |
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| Hou Ya-ning. Symbolic analysis of Chen Han Dian in "KangXi"[J]. Journal of Jiamusi Education Institute, 2012, 0(8): 31-32,38 |
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| Authors: | Hou Ya-ning |
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| Affiliation: | Hou Ya-ning(Wuhan University of Technology,Hubei Wuhan,430070,China) |
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| Abstract: | In recent years,ChenHanDian works as variety show "KangXi" assistant host from anonymity to household,such rapid rising seemingly accidental,there are its internal rules.The theory of semeiology,Freud’s theory of personality and comedy theory can be used as methodology,through to the program forms,program role positioning and program type three parts make us more deeply,a thorough understanding,analysis ChenHanDian rising inner nature. |
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| Keywords: | can refer to points triple personality comedy |
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