| 戏出年画考述 |
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| 引用本文： | 杨连启. 戏出年画考述[J]. 华侨大学学报(哲学社会科学版), 2004, 0(4): 114-122 |
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| 作者姓名： | 杨连启 |
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| 作者单位： | 中国艺术研究院,戏曲研究所,北京,100029 |
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| 摘 要： | 中国传统年画起源于上古时代的原始宗教祭祀，是绘画中一门独特的艺术形式。它是我们先民精神生活中的一部分，也是对自然的认识与心灵幻想相结合的产物。戏曲、年画共同孕育于高度发展的汉唐化之中，形成于宋代繁华的都市生活里，最终，在明清，由于它们相互影响、不断对话，共同走向辉煌。
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| 关 键 词： | 戏出 年画 门神 杨柳青 桃花坞 |
| 文章编号： | 1006-1398(2004)04-0114-09 |
| 修稿时间： | 2004-07-11 |
Textual Research and Statement on Painting of the Characters in Opera and New Year Pictures |
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| YANG Lian-qi. Textual Research and Statement on Painting of the Characters in Opera and New Year Pictures[J]. Journal of Huaqiao University(Humanities & Social Science), 2004, 0(4): 114-122 |
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| Authors: | YANG Lian-qi |
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| Abstract: | Chinese traditional new year pictures stem from offering sacrifices to gods in origional religion,which is a unique formof art in drawing.It was one part in spiritual life of our ancestors and also the products combining knowledge of nature with illusionof soul.Painting of the characters in opera and new year pictures were jointly breeded in highly developed culture of Han andTang Dynasities;and were formed in flourishing city life during Song Dynasty;and finnally,during Ming anti Qing Dynasties,they jointly went into brilliance due to their mutual influence and unceasing dialogue. |
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| Keywords: | painting of the characters in opera new year pictures door gods willow green sunken bed of peach blossom |
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