20世纪中国现代诗学“真”的审美观的诞生

“真”的审美观是王国维“境界”（意境）说的核心审美观念，就作者而言，是 对“情”和“景”的真实感受和真实再现；就作品而言，是对“真景物”和“真感情”的 真实表现。这是澄清向来众说纷坛的“境界”（意境）涵义、并从中发现王国维“化合” 中学西学的契合点的关键，而且，由此能从现代性的视域反思性地考察 ２０世纪中国现代 诗学在其发生阶段的现代性特质。

The Birth of Aesthetics of zhen: Modern Chinese Poetics in the 20th Century

The aesthetics of zhen is believed as the core of Wang Guo-wei's theory of jing ne (yi jing, spiritual realm). As to writers, it is the real presentation of true feeling of qing (emotion) and jing (views). As to works, it is the genuine expression of the true views and the true feelings. This is the key to the understanding of his theory of jing jie (yi jing) and to the discovery of the connection point of his assimilation of the Chinese and the Western culture. Because of this, we can reflect upon and examine the modern Chinese poetics in the 20th century from the viewpoint of modernity.