| 论中国山水画的朦胧 |
| |
| 引用本文： | 李昕,李光复.论中国山水画的朦胧[J].黄河科技大学学报,2001,3(3):113-120. |
| |
| 作者姓名： | 李昕 李光复 |
| |
| 作者单位： | 安阳师范学院,美术系,河南,安阳,455000 |
| |
| 摘 要： | 中国山水画是一种朦胧的学问。它指的是理论朦胧和实践朦胧。朦胧之由是自然朦胧，视觉朦胧，创作朦胧，心理朦胧，象征朦胧，起源朦胧。中国山水画在朦胧中继往开来地延续着。
|
| 关 键 词： | 中国 山水画 朦胧 |
| 文章编号： | 1008-5424(2001)03-0113-08 |
| 修稿时间： | 2001年3月17日 |
On the Haziness of Chinese Landscape Painting |
| |
| Li Xin.On the Haziness of Chinese Landscape Painting[J].Journal of Huanghe S&T University,2001,3(3):113-120. |
| |
| Authors: | Li Xin |
| |
| Abstract: | Chinese landscape painting is a kind of hazy learning,which refers to both the theoretical hazziness and the practical hazziness.The haziness includs:natural hazziness;visual hiziness;creation haziness;mental haziness;symbolical haziness and original haziness.Chinese landscape painting is lasting in the haziness by way of carrying out the past and forging forward ahead into the future. |
| |
| Keywords: | China landscape painting haziness |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
