| 论郭沫若史剧的悲剧艺术 |
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| 引用本文： | 章池. 论郭沫若史剧的悲剧艺术[J]. 安徽教育学院学报, 2005, 23(5): 56-59,100 |
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| 作者姓名： | 章池 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 基金项目： | 安徽省教育厅社会科学基金 |
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| 摘 要： | 郭沫若1940年代的历史悲剧,是一种以历史为依托,社会为标的历史与现实同构的社会-历史悲剧,带有鲜明的时代印记和政治色彩,但对伦理层面上道德英雄的人格创造,使之进入到对理想的人性世界的建构,不仅在现实的政治意义之外焕发出动人的美学意义,也将中国现代悲剧中的现实主流推向高峰.
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| 关 键 词： | 郭沫若 社会-历史悲剧 英雄人格 人性理想 |
| 文章编号： | 1001-5116（2005）05-0056-04 |
| 收稿时间： | 2005-06-21 |
| 修稿时间： | 2005-06-21 |
On GUO Mo-ruo''''s Tragic Art of History Plays |
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| ZHANG Chi. On GUO Mo-ruo''''s Tragic Art of History Plays[J]. Journal of Anhui Institute of Education, 2005, 23(5): 56-59,100 |
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| Authors: | ZHANG Chi |
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| Affiliation: | College of Humanities, Wuhu Normal University, Wuhu 241000, China |
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| Abstract: | GUO Mo-ruo's history plays in the 1940's are social-historical plays based on history and society, and co-constructed by history and reality, which reveal the distinctive mark of the age and the political flavor. His creation of heroic personality of morality from the perspective of ethics is the construction of the ideal human world, and at the same time, not only shines its great aesthetic significance besides its realistic political significance, but would advance the realistic mainstream of Chinese modern tragedy to the artistic summit. |
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| Keywords: | GUO Mo-ruo society-history tragedy heroic personality human idealism |
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