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作为叙事幻影的东方——后殖民批评视域下的《金刚》
引用本文:李晶.作为叙事幻影的东方——后殖民批评视域下的《金刚》[J].凯里学院学报,2012,30(1):180-183.
作者姓名:李晶
作者单位:贵州师范大学文学院,贵州贵阳,550001
摘    要:采用后殖民理论对2005版的电影《金刚》的叙事进行分析,将其中无意识的“东方主义”做一个梳理,在“文字中心”让位于“视觉中心”的时代潮流中,描绘“东方主义”如何采用新的形式、透过隐秘的视觉叙事符号进行散播的路径.

关 键 词:东方主义  后殖民  《金刚》  视觉文化  叙事符号

The Orient,an Illusion Narrative: An analysis on the Movie “King Kong”(2005 Edition) from the perspective of the Post-Colonialist Criticism
LI Jing.The Orient,an Illusion Narrative: An analysis on the Movie “King Kong”(2005 Edition) from the perspective of the Post-Colonialist Criticism[J].Journal of Southeast Guizhou National Teachers College,2012,30(1):180-183.
Authors:LI Jing
Institution:LI Jing(Guizhou Normal University,Guiyang,Guizhou,550001,China)
Abstract:On the basis of postcolonial theory,this paper makes an analysis on the narrative in the movie King Kong(2005 edition) to straighten out the unconscious "orientalism",describe "orentalism" how to adopt a new form and spread through the hidden visual narrative symbol path.
Keywords:orientalism  postcolony  King Kong  visual culture  narrative symbol
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