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电影和文学的中国式婚姻——当代电影改编的文化探寻
引用本文:郭海洋.电影和文学的中国式婚姻——当代电影改编的文化探寻[J].江苏广播电视大学学报,2008,19(1):61-65.
作者姓名:郭海洋
作者单位:南京师范大学,江苏,南京,210097
摘    要:电影和文学是互生的关系,由于文学自身、政治倾向、大众情趣、时代需要等方面的因素,不同历史时期的电影改编表现出不同的范式和规律:建国后十七年,电影尽量地学习模仿文学;20世纪80年代,电影在自觉化的道路上借助文学这个拐杖,取长补短的同时又保有自己的独立;20世纪90年代以后,文学俯下身来迁就电影而进行创作。

关 键 词:当代电影  文学  改编特点
文章编号:1008-4207(2008)01-0061-05
收稿时间:2007-09-21
修稿时间:2007年9月21日

A Chinese Style Marriage between Movie and Literature:the Trace of the Culture of Contemporary Movie Adaptation
GUO Hai-yang.A Chinese Style Marriage between Movie and Literature:the Trace of the Culture of Contemporary Movie Adaptation[J].Journal of Jiangsu Radio & Television University,2008,19(1):61-65.
Authors:GUO Hai-yang
Abstract:Film and literature are interdependent.Due to the factors of literature itself, political orientation,the public interests,the needs of the times and other aspects of reasons,Film's adaptation of literature shows a various paradigm and rules in different historical periods.The 17 years after the establishment of the People's Republic,films learn and imitate literature as much as possible.Since 1980s,film gradually developed its self-consciousness while still referring literature for backstop.After the 1990s,however,literature creation become the humble servant of film.
Keywords:contemporary film  literary adaptation  characteristics of adaptation
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