1930年代林语堂小品文中“个人笔调”的建构

1930年代，林语堂在小品文的理论表述和创作实践中标举“个人笔调”，一时间颇有影响。然而，“个人笔调”并非如林语堂自己所说是个人思想情感的自然流露，乃是一套精心设计的文本策略。他通过将“个人笔调”从具体的内容和对象中剥离出来，成为纯粹形式层面上的“笔调”，一个自由的、独立的、无所不在的而且也是抽象的创作主体（“个人”）得以被建构起来。这个空洞和高度抽象化的创作主体，因此获得了最大限度的自由，也最大限度地保全了自己。

Construction of Individual Style in the Essays written by Lin Yutang in1930s

In 1930s,"individual style" advocated by Lin Yutang in the academic statement of essay and in the writing practice exerted a great influence.However,"individual style" was not a nature representation of individual's thoughts and emotions like Lin Yutang's theory,but a textual strategy arranged carefully.He stripped "individual style" off the content and object to make it a "style" in the pure formalistic stage.Therefore,a free,independent,omnipresent and abstract creative subject("individual")was constructed.And accordingly,this empty and highly abstract subject got the furthest freedom,and saved itself.