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论麦积山石窟北朝壁画飞天造型特征及其来源
引用本文:徐玉琼. 论麦积山石窟北朝壁画飞天造型特征及其来源[J]. 巢湖学院学报, 2010, 12(5)
作者姓名:徐玉琼
作者单位:巢湖学院艺术系,安徽,巢湖,238000
基金项目:巢湖学院科研项目资助(项目编号:XWY-201009)
摘    要:飞天在印度只是风筝型的形象,多呈现出一种静止感,然而伴随着佛教及佛教艺术的传播,飞天经中亚、沿着丝绸之路传入了中国后,开始借助衣裙和飘带,创造出韵律柔美的飞动气势和美丽姿态。本文以麦积山石窟北朝壁画为切入点,对其独有的飞天造型特征予以分析研究,推导出复杂的演变过程,并纳入其他相关的飞天造型进行比较,以探求其特征来源。

关 键 词:麦积山石窟  壁画  飞天造型  特征  

ON THE ORIGIN AND CHARACTERISTICS OF THE PAINTING MURALS WITH FLYING APSARAS STYLING ON THE MAI-JI MOUNTAIN STONE CAVE IN THE NORTHERN DYNASTIES
XU Yu-qiong. ON THE ORIGIN AND CHARACTERISTICS OF THE PAINTING MURALS WITH FLYING APSARAS STYLING ON THE MAI-JI MOUNTAIN STONE CAVE IN THE NORTHERN DYNASTIES[J]. Chaohu College Journal, 2010, 12(5)
Authors:XU Yu-qiong
Affiliation:XU Yu-qiong(Fine Arts Department of Chaohu College,Chaohu Anhui 238000)
Abstract:the Flying Apsaras is just with the kite-like image in India,and usually it is with a sense of motionlessness.With the spread of the Buddhism and Buddhism art,the Flying Apsaras came into China via Middle Asia and the Silk Road.When it was in china,through clothes and ribbon,mellow flying momentum and beautiful stance in rhythm were created on the Flying Apsaras.This paper will use the painted murals on the Mai-Ji Mountain stone cave in the Northern Dynasties as the entry point,and will make an analytical i...
Keywords:Mai-Ji Mountain stone cave  painted murals  flying stance  characteristics.  
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