| “世界”与“大地”——海德格尔艺术哲学的核心概念 |
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| 引用本文： | 高靖生. “世界”与“大地”——海德格尔艺术哲学的核心概念[J]. 湘潭师范学院学报(社会科学版), 2002, 24(2): 27-30 |
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| 作者姓名： | 高靖生 |
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| 作者单位： | 湘潭师范学院,中文系,湖南,湘潭,411201 |
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| 基金项目： | 湖南省教育厅 2 0 0 0年资助项目 (OOC2 2 0 ) |
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| 摘 要： | 世界与大地一显一隐，一开放一锁闭，它们的统一构成作品自足体宁静的自持，作品的两大特点是建立一个世界和制造大地，世界和大地的争执以及这种争执进入澄明与遮蔽的争执中的实现，使真理在伤口中出现并自持；从世界与大地的关系及相向运行可以得出艺术的本质。
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| 关 键 词： | 海德格尔 艺术哲学 概念 “世界“ “大地“ |
| 文章编号： | 1009-4482(2002)02-0027-04 |
| 修稿时间： | 2001-05-15 |
“Welt” and “Erde” : the Core Concept of Heidegger''s Art Philosophy |
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| GAO Jing-sheng. “Welt” and “Erde” : the Core Concept of Heidegger''s Art Philosophy[J]. Journal of Xiangtan Normal University(Social Science Edition), 2002, 24(2): 27-30 |
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| Authors: | GAO Jing-sheng |
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| Abstract: | Welt(world) and Erde (earth), the former is open while the latter concealed, together make the whole of the self-baring work establishing the world and creating the earth, which are the characteristics of the work. The conflict between world and earth enters its phase between illuminating and concealing thus truth sets itself in work, and the essence of art can be seen from the relationship between Welt and Erde and their movement. |
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| Keywords: | welt erde conflict truth |
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