论《文心雕龙》的“意象说”文论体系

刘勰的《心雕龙》处于中国古代“意象”说到“意境”说的转变过渡时期,且在《心雕龙》中首次将“意象”运用于美学领域,可以说“意象”说是由刘勰真正建立并使其系统化、体系化。如何营构融合审美意象,并完美地传达审美意象,是《心雕龙》“意象”说的中心内容。《心雕龙》环绕着“意象”展开了一系列艺美学上的基本理论问题,提出了大量相关的学术范畴,形成了自身的体系,是中国古代“意象”说集大成的论作。

On the Literature Theory System of Wen-Hsin Tiao-Lung's Image Theory

Liu Hsieh's Wen-Hsin Tiao-Lung was written in the transitional period from the ancient Chinese image theory to "Meaning of the area to reach", and image theory was initially adopted in the fields of literature & art aesthetics in Wen-Hsin Tiao-Lung. It can be thought that it were Liu Hsieh who made image theory systematized. The key content of the image theory in Wen-Hsin Tiao-Lung is how to build and merge aesthetic image and convert it perfectly. Around the image theory , Wen-Hsin Tiao-Lung reveals a series of basic theories on art & literature aesthetics and puts forward large quantities of relative academic categories to form its own system. Wen-Hsin Tiao-Lung is a huge works on the science of literature epitomizing the ancient Chinese image theory.