| 论电影的审美距离 |
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| 引用本文： | 刘利斯.论电影的审美距离[J].绥化学院学报,2006,26(3):84-86. |
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| 作者姓名： | 刘利斯 |
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| 作者单位： | 西北师范大学文学院文艺学,甘肃,兰州,730070 |
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| 摘 要： | 审美的主客体之间有物理距离和心理距离。而从物理与心理相统一的角度来认识审美距离是十分必要的。本文以电影审美距离为出发点详细阐述了空间距离、时间距离、心理距离对电影审美的影响。
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| 关 键 词： | 电影审美距离 空间距离 时间距离 心理距离 |
| 文章编号： | 1004-8499（2006）03-0084-03 |
| 收稿时间： | 2005-11-17 |
| 修稿时间： | 2005年11月17 |
Discussion about movie esthetic distance |
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| Liu Lisi.Discussion about movie esthetic distance[J].Journal of Suihua University,2006,26(3):84-86. |
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| Authors: | Liu Lisi |
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| Institution: | Literary Academy , Northwest Normal University, Literature and Art, Lanzhou 730070, China |
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| Abstract: | There are physical distance and esthetic distance between the esthetic subject and the object..But it is extremely essential to know the esthetic distance from the angle which unifies from the physics and the psychology. This article takes the movie esthetic distance as the starting point,which in detail elaborates the space distance,the time distance and the psychic distance have a great influence on the movie esthetics. |
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| Keywords: | The movie esthetic distance The space distance The time distance The psychic distance |
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