| 玄言诗与宫体诗物象特征之比较 |
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| 引用本文： | 樊露露,刘砚群.玄言诗与宫体诗物象特征之比较[J].荆州师范学院学报,2005,28(3):30-33. |
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| 作者姓名： | 樊露露 刘砚群 |
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| 作者单位： | 长江大学文学院,湖北荆州434020 |
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| 摘 要： | 玄言诗与宫体诗中的物象是从山水到美人的演变，是从追求本质真实到执着现象真实的转换，这充分表明了东晋到南朝物象地位变迁的轨迹。玄言诗中的自然山水以象征化、简约化的形态彰显自身，宫体诗中的物象具有鲜明的感官化、唯美化的新变特征。主体的不同心态促成了二者各异的审美追求。
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| 关 键 词： | 玄言诗 宫体诗 简约化 唯美化 |
| 文章编号： | 1673-1395（2005）03-0030-04 |
| 收稿时间： | 2004-12-03 |
Comparison of Images on the Poems Xuanyan and Gongti |
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| Fan LouLou;Liu YanQun.Comparison of Images on the Poems Xuanyan and Gongti[J].Journal of Jingzhou Teachers College,2005,28(3):30-33. |
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| Authors: | Fan LouLou;Liu YanQun |
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| Abstract: | As the outcome of Menfa noble culture, both of Xuanyan poems and Gongti poems embodied the special spirits of time and distinctive aesthetic features. It intends to explore their aesthetic merits. The images of natural mountain and water in Xuanyan poems are full of symbolic expressive functions, and the images of decorative beauty in Gongti poems are sensory. The images in Gongti poems have the characteristics of obvious visualization, beauty. Different psychologies of the object promote different aesthetics between the 2 poems. |
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| Keywords: | Xuanyan poem Gongti poem simplificity beauty |
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