| 摘 要： | At the moment when the bell chimes for the coming of the new century, let us take a look at how the Chinese movie industry has developed over the last 20 years since the reform. Twenty years ago when Zhao Dan, a celebrated movie artist in China, expressed his concerns about the prospects of the Chinese movie industry on his deathbed, people realized that it needed to blaze a trial. It was at that time that a drive for ideological emancipation was launched nationwide and people longed for movies that would reflect their daily life and their heartfelt aspirations. To answer the call of what the people demanded, a large number
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