| 论《浣纱记》的意境美 |
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| 引用本文： | 吴娜.论《浣纱记》的意境美[J].伊犁教育学院学报,2006,19(1):42-45. |
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| 作者姓名： | 吴娜 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 摘 要： | 戏曲文学吸收了诗歌的意境理论,并将意境论融入其创作中,为其艺术增添殊彩。梁辰鱼《浣纱记》将意境被成功运用于人物、情节、结尾,成为其艺术上的亮点。
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| 关 键 词： | 梁辰鱼 《浣纱记》 意境 美学风貌 |
| 文章编号： | 1009-0487（2006）01-0042-04 |
| 收稿时间： | 2005-05-20 |
| 修稿时间： | 2005-05-20 |
The Comment of the Beauty of Creative Concept in The Story of Wash Yarn |
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| WU Na.The Comment of the Beauty of Creative Concept in The Story of Wash Yarn[J].Journal of Yili Education College,2006,19(1):42-45. |
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| Authors: | WU Na |
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| Institution: | Literature College of Anhui Normal University, Wuhu Anhui 241000, China |
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| Abstract: | The theory of creative concept in the poetry is absorbed by the literature of opera,which is also applied to opera creation.The story of wash yarn,which is created by Liang Chenyu,applied to the theory of creative concept successfully in its characters,plot and,end.This theory also plays a important part in its artistic quality. |
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| Keywords: | Liang Chenyu The story of wash yarn creative concept the style of aesthetics |
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