| 论明代戏曲、小说中的《庄子》接受 |
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| 引用本文： | 白宪娟.论明代戏曲、小说中的《庄子》接受[J].沈阳教育学院学报,2013(6):877-880. |
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| 作者姓名： | 白宪娟 |
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| 作者单位： | 兰州大学文学院,甘肃兰州730020 |
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| 摘 要： | 分析了明代戏曲、小说《庄子》接受的具体情况,认为明代戏曲、小说中的《庄子》接受呈现出文人性和世俗性两个特点,分别体现了对文人《庄子》接受传统的继承与突破.世俗性表现为对《庄子》典故的选择、改编和世俗化庄子形象的塑造.文人化表现为文人主体意识的增强和创作目的的个体化回归、本然庄子的艺术再现和文人的集体认同.
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| 关 键 词： | 戏曲 小说 《庄子》 接受美学 |
On Reception of Chuang Tzu in Field of Dramas and Novels in Ming Dynasty |
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| Bai Xianjuan.On Reception of Chuang Tzu in Field of Dramas and Novels in Ming Dynasty[J].Journal of Shenyang College of Education,2013(6):877-880. |
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| Authors: | Bai Xianjuan |
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| Institution: | Bai Xianjuan (School of Chinese Language and Literature, Lanzhou University, Lanzhou 730020, China) |
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| Abstract: | The two characteristics, the secularization and the literati stylization, of the reception of Chuang Tzu in the field of dramas and novels in Ming Dynasty are analyzed. The two characteristics embodied the inheritance and innovation to the traditional reception to Chuang Tzu of literati. The secularization embodied in the choosing and adapting classical allusions of Chuang Tzu, and the secular image of Chuang Tzu. The literati stylization embodied in the enhancing of the consciousness of subject, the true theme of Chuang Tzu and the collective identity. |
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| Keywords: | dramas novels Chuang Tzu reception esthetics |
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