| 论道情的历史渊源及发展阶段 |
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| 引用本文： | 李剑峰.论道情的历史渊源及发展阶段[J].河北广播电视大学学报,2011,16(6):53-54. |
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| 作者姓名： | 李剑峰 |
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| 作者单位： | 晋城职业技术学院教师教育系,山西晋城,048026 |
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| 摘 要： | 道情是我国目前尚存的最为古老、最为庞杂的民间艺术之一，是道教思想文化和民间音乐曲艺长期融合、衍变的产物。道情的发展历程可分法曲道情、俗曲道情和地域道情三个阶段，道情一千多年的发展流传历经了从宫廷到民间、从庙宇到乡野的传承与创新，体现了我国民间艺术发展的曲折延绵和深厚底蕴，展现了民族文化的永恒魅力。
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| 关 键 词： | 法曲道情 俗曲道情 地域道情 历史渊源 |
On the Historical Origins and Development Stages of Tao Tsing |
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| LI Jianfeng.On the Historical Origins and Development Stages of Tao Tsing[J].Journal of Hebei Radio & TV University,2011,16(6):53-54. |
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| Authors: | LI Jianfeng |
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| Institution: | LI Jianfeng(Teachers Education Department,Jincheng Vocational and Technical College,Jincheng,Shanxi 048026,China) |
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| Abstract: | Tao Tsing is one of the oldest and the most jumbled folk art forms existing in China today, which is the product of long-term integration and evolution of Taoism culture and folk music. The development process can be divided into three stages： court-song Tao Tsing, folk-song Tao Tsing and regional-song Tao Tsing. Through the thousand years of development and transmission, Tao Tsing experienced the heritage and innovation from court to civilian as well as from temple to the country, it reflects the tortuous stretches and deep heritage of the development of folk art in China, displaying the everlasting charm of national culture. |
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| Keywords: | court-song Tao Tsing folk-song Tao Tsing regional-song Tao Tsing historical origins |
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