| 论屈原《离骚》对楚辞戏剧因素的改造 |
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| 引用本文： | 周良平. 论屈原《离骚》对楚辞戏剧因素的改造[J]. 安徽教育学院学报, 2005, 23(4): 56-59 |
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| 作者姓名： | 周良平 |
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| 作者单位： | 安徽教育学院,中文系,安徽,合肥,230061 |
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| 摘 要： | 中国最早的戏剧因素萌芽于楚辞<九歌>等祭神乐中,屈原在继承并发展了楚辞的艺术成就的同时,成功地改造了楚辞祭神乐中的戏剧因素,使得楚辞远离巫术,远离了向成熟戏剧发展的道路,向着以诗文为正宗的儒文化靠拢.
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| 关 键 词： | 戏剧因素 祭神乐 巫术 儒文化 屈原 离骚 楚辞 戏剧因素 改造 Yuan Factors 儒文化 诗文 道路 戏剧发展 巫术 艺术成就 继承并发展 祭神乐 九歌 萌芽 中国 |
| 文章编号： | 1001-5116（2005）04-0056-04 |
| 收稿时间： | 2005-01-16 |
| 修稿时间： | 2005-01-16 |
QU Yuan's Li Sao's Renovation on Dramatic Factors of Chu Ci |
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| ZHOU Liang-ping. QU Yuan's Li Sao's Renovation on Dramatic Factors of Chu Ci[J]. Journal of Anhui Institute of Education, 2005, 23(4): 56-59 |
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| Authors: | ZHOU Liang-ping |
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| Abstract: | The earliest Chinese dramatic factor originated from "Nine Songs" in Chu Ci. While Qu Yuan inherited and developed the artistic achievements of Chu Ci, he successfully renovated some dramatic factors in the sacrificial music so that Chu Ci kept some distance from the magic, and also far away from being mature, but it moved towards the authentic Confucian culture centered around poetry. |
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| Keywords: | dramatic factor sacrificial music magic Confucian culture |
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