| 审美的归根--老子审美思想今释 |
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| 引用本文： | 刘晟.审美的归根--老子审美思想今释[J].华南师范大学学报(社会科学版),2004(6):55-61,68. |
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| 作者姓名： | 刘晟 |
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| 作者单位： | 华南师范大学人文学院,广东,广州,510631 |
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| 摘 要： | “恍惚”、“自然”、“玄览”体现了老子的审美思想旨趣。“恍惚”是“道”的本体状态,朦胧不定的深层生命律动是美所由自的源泉。老子有关“道”之“恍惚”描述,正合乎人类审美体验的特征。老子所谓“自然”可从以下两个层面加以认识：在形上层面,老子的“自然”指一种不见斧凿痕、未经人为操作的“无为”、“朴”的理想状态。在形下层面,老子的“自然”是“道”的运行之迹,偏重阴柔指向的自然体认。老子的“玄览”乃是效法“自然”的内指心态,是一种柔顺、无欲、无疵、无知的心态。“玄览”之心不是从当代心理学的意义上与审美相通,而是从中国古典哲学重视人格理想的意义上与审美相联。
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| 关 键 词： | 老子 恍惚 自然 玄览 |
| 文章编号： | 1000-5455(2004)06-0055-07 |
Back to the Root of Aesthetics |
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| by LIU Sheng.Back to the Root of Aesthetics[J].Journal of South China Normal University(Social Science Edition),2004(6):55-61,68. |
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| Authors: | by LIU Sheng |
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| Institution: | by LIU Sheng |
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| Abstract: | This thesis focuses on the interpretation of Laozi's aesthetic thought, such as "vagueness" and "baby- mind". The "vagueness" of Tao reveals the features of human aesthetic experience. "Nature" is a Chinese ancient ideal, it always leads to the aesthetic thoght of freedom and meekness. Because of the baby-mind can not tell right from wrong, truth from falsehood, merits from demerits, Laozi advocated that we should learn from the baby-mind. This thought leads us to baby-worship in aesthetic experience. |
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| Keywords: | Laozi vagueness nature baby-mind |
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