| 主体性的渐次缺位--试析沈从文湘西小说中的婚俗流变 |
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| 引用本文： | 胡斌. 主体性的渐次缺位--试析沈从文湘西小说中的婚俗流变[J]. 通化师范学院学报, 2003, 24(3): 79-81 |
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| 作者姓名： | 胡斌 |
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| 作者单位： | 南通师范学院,中文系,江苏,南通,226001 |
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| 摘 要： | 以主体性为楔入点，将沈从湘西小说中描写的婚俗归类为主体张扬式、主体平衡式和主体缺席式三种。从张扬到平衡，再到完全缺席，主体性的渐次缺位概括了湘西婚俗流变的主要轨迹。
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| 关 键 词： | 湘西小说 沈从文 缺席 张扬 流变 缺位 描写 主体性 归类 概括 |
| 文章编号： | 1008-7974(2003)03-0079-04 |
| 修稿时间： | 2002-10-05 |
The Gradual Absence of Subject-A Superficial Analysis of the Marriage Customs'' Evolution in Shen Congwen''s Xiangxi Stories |
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| HU Bin. The Gradual Absence of Subject-A Superficial Analysis of the Marriage Customs'' Evolution in Shen Congwen''s Xiangxi Stories[J]. Journal of Tonghua Teachers College, 2003, 24(3): 79-81 |
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| Authors: | HU Bin |
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| Abstract: | Taking subject as a cut-in point, this article classifies the marriage customs described in Shen Congwen's Xiangxi stories imto three types: subject exaggeration, subject balance and subject absence. The main track of the marriage customs' evolution can be generalized as the gradual absence of subject that is from exaggeration to balance, then to complete absence. |
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| Keywords: | subject absence Xiangxi stories marriage customs evolution. |
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