| 论中国古典诗歌的意象美 |
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| 引用本文： | 杜宏伟. 论中国古典诗歌的意象美[J]. 三门峡职业技术学院学报, 2002, 1(1): 19-23 |
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| 作者姓名： | 杜宏伟 |
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| 作者单位： | 三门峡职业技术学院,河南,三门峡,472000 |
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| 摘 要： | “意象”普遍存在于世界各国诗歌中。中国古典诗歌中“意象”的独特魅力,使中国古典诗歌以其具体、形象性而著称于世。本文通过中外诗歌的对比,深入探讨中国古典诗歌中“意象”的具体直观性凝炼性、丰富性以及象征意义等特征。而这正是中国古典诗歌得以成为世界各国诗歌中一颗耀眼明珠的奥妙所在。
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| 关 键 词： | 意象 凝炼性 丰富性 象征意义 人格象征 |
| 文章编号： | 1671-9123(2002)-01-0019-05 |
| 修稿时间： | 2002-06-05 |
On Imagery Beauty of Chinese Classical Poetry |
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| DU Hong-wei. On Imagery Beauty of Chinese Classical Poetry[J]. Journal of Sanmenxia Polytechnic, 2002, 1(1): 19-23 |
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| Authors: | DU Hong-wei |
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| Abstract: | Despite"imagery"universally appearing in all the international Poetry,the panticulancham of imagery in Chinese potery imagery makes Chinese classical potery world famous for its con-creteness and vividness.Through comparing with foreign potery,this articles explores Chinese classi-cal potery characters:audiovisuality?terseness,abundance and symbolic significance.Just with those key character,remains as a bright pearl in the international literature. |
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| Keywords: | consciousness terseness abundance symbolic significance personality symbol |
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