| 从《祇园精舍图》到《劳度叉斗圣变》的主题转变与佛道之争 |
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| 引用本文： | 殷光明. 从《祇园精舍图》到《劳度叉斗圣变》的主题转变与佛道之争[J]. 家教指南, 2001, 0(2) |
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| 作者姓名： | 殷光明 |
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| 作者单位： | 敦煌研究院考古所!甘肃敦煌736200 |
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| 摘 要： | 《劳度叉斗圣变》是敦煌艺术中的主要题材之一。本文认为随着印度佛教艺术中国化的进程，这一题材经历了一个从印度的《祇园精舍图》到中国的《劳度叉斗圣变》的主题转变过程，它的出现、发展到成熟应与中国历史上的佛道之争有关。
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| 关 键 词： | 祇园精舍图 劳度叉斗圣变 主题转变 佛道之争 |
Changes of Themes of Raudraksa''''s Battle with Sariputra and Argument between Buddhism and Taoism |
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| YIN Guangming. Changes of Themes of Raudraksa''''s Battle with Sariputra and Argument between Buddhism and Taoism[J]. , 2001, 0(2) |
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| Authors: | YIN Guangming |
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| Abstract: | Illustration of Raudraksa's battle with Sariputra is one of the main themes in Dunhuang arts. The paper deals with this theme, and considers that the change of illustrations of Raudraksa's battle with Sariputra in China went through a long course. It shows that after Buddhist arts from Southern Asia, mainly India was spread into China, Chinese artists had changed them according to Chinese cultural tradition. It can be said that the changing course is interrelated with the argument between Buddhism and Taoism. |
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| Keywords: | Dunhuang arts Illustration of Raudraksa's battle with Sariputra Buddhism Taoism. |
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