| 论苏轼诗词中"鸿"与"鹤"意象的审美意蕴 |
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| 引用本文： | 方星移. 论苏轼诗词中"鸿"与"鹤"意象的审美意蕴[J]. 黄冈师范学院学报, 2001, 21(1): 51-55 |
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| 作者姓名： | 方星移 |
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| 作者单位： | 黄冈师范学院,中文系,湖北,黄冈,438000 |
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| 摘 要： | 苏轼诗词中鸿、鹤两种意象具有深厚的文化底蕴,前者具体化为飞鸿、孤鸿、归鸿,分别象喻了苏轼人生历程中的青年、壮年、老年阶段的生命体验,后者以"驯鹤"为主要形式,象喻了主体的品格.
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| 关 键 词： | 苏轼 鸿 鹤 审美意蕴 |
| 文章编号： | 1003-8078(2001)01-0051-05 |
| 修稿时间： | 2000-11-22 |
On Aesthetic Implication of the Imaginations for the "Geese"and" Cranes" in Su Shi's Poems |
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| FANG Xing-yi. On Aesthetic Implication of the Imaginations for the "Geese"and" Cranes" in Su Shi's Poems[J]. Journal of Huanggang Normal University, 2001, 21(1): 51-55 |
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| Authors: | FANG Xing-yi |
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| Abstract: | In Su Shi's poems, the two imaginations for the "geese" and "cranes" had very deep cultural implication. The former concretely means first "a flying goose", then "a lonely goose", at last, "a returning goose', which told his deep understanding and feelings in all his life --- in the days of his youth, his prime and his old age. The latter, appearing in the main form of "a tame crane", analogized the quality and style of the subject. |
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| Keywords: | Su Shi goose crane aesthetic implication |
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