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黄宾虹山水画笔墨的层次性序列
引用本文:李丛芹.黄宾虹山水画笔墨的层次性序列[J].安徽师范大学学报(人文社会科学版),2003,31(1):108-111,120.
作者姓名:李丛芹
作者单位:常州技术师范学院,艺术设计系,江苏常州,213001
摘    要:黄宾虹山水画建构起的笔墨世界,在古典山水画和现代山水画的过渡中,树立起一个宏伟的界标。他对传统笔墨元素的总结和提升固然引人注目,但更为重要的是,他在中西方文化艺术的撞击中,将传统笔墨的内涵和外延同时扩大,并将笔墨与具象山水的内在结构,以及主体的生命结构相对应,增强其在平面空间中的组合性、构成性、形成了乱而不乱、不齐而齐的个性化结构和图式,创造出超越其时代的现代价值。

关 键 词:黄宾虹  笔墨元素  笔墨结构  笔墨图式
文章编号:1001-2435(2003)01-0108-04

Gradation in Huang Binhong's landscape paintings
LI Cong-qin.Gradation in Huang Binhong''''s landscape paintings[J].Journal of Anhui Normal University(Humanities and Social Sciences),2003,31(1):108-111,120.
Authors:LI Cong-qin
Abstract:Huang Binhong's paintings serve as the bridge com bining classic and modern landscape paintings. His summary and development of th e traditional elements of drawing was conspicuous, but what's more important was as following. He expanded the connotation and extension of the traditional drawi ng through the exchange between Chinese and Western art. The drawing corresponde d the inner structure of the mountains and waters and man's life, which strenthe n ed the constitution in the plane dimension. The structure and schema seemi ngly messy and disordered in fact was well arranged. Thus, his achievements in p ainting were advanced and beyond his age.
Keywords:Huang Binhong  elements of drawing  structure of draw ing  schema of the painting  
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