| 生之美学与死之美学——《赵氏孤儿》与《忠臣藏》美意识之比较 |
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| 引用本文： | 莫文沁.生之美学与死之美学——《赵氏孤儿》与《忠臣藏》美意识之比较[J].培训与研究,2010(9):4-6. |
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| 作者姓名： | 莫文沁 |
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| 作者单位： | 湖北第二师范学院外国语学院,武汉430205 |
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| 摘 要： | 元杂剧《赵氏孤儿》与歌舞伎《忠臣藏》皆为中日传统复仇悲剧的经典作品,但从两部戏剧情节的铺陈及结局看,却传递出两种截然相反的美意识——生之美学与死之美学。本文即以此为切入点,拟通过平行比较的方式,分析中日两国人民在美意识方面的差异及原因。
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| 关 键 词： | 《赵氏孤儿》 《忠臣藏》 美意识 |
A Comparison of the Aesthetic Consciousness between the Orphan of Zhao and Tyushingura |
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| MO Wen-qin.A Comparison of the Aesthetic Consciousness between the Orphan of Zhao and Tyushingura[J].Training and Research-Journal of Hubei College of Education,2010(9):4-6. |
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| Authors: | MO Wen-qin |
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| Institution: | MO Wen-qin (College of Foreign Languages,Hubei University of Education,Wuhan 430205,China) |
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| Abstract: | Both the Yuan Dynasty play the Orphan of Zhao and the Japanese Kabuki Tyushingura are traditional revenge tragedy classics.But they convey contrastive aesthetic consciousness from the plots and endings——the aesthetic consciousness of life and death.Based on this point,this thesis tries to analyze the differences of the aesthetic consciousness between Chinese and Japanese and their reasons by parallel comparison. |
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| Keywords: | The Orphan of Zhao Tyushingura aesthetic consciousness |
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