| 谈电影《海角七号》在台湾的热映——以接受美学为视角 |
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| 引用本文： | 洪柳斯. 谈电影《海角七号》在台湾的热映——以接受美学为视角[J]. 河北北方学院学报(社会科学版), 2011, 0(6): 9-12 |
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| 作者姓名： | 洪柳斯 |
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| 作者单位： | 华南师范大学文学院; |
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| 摘 要： | 台湾本土电影《海角七号》在台湾地区上映后引起广泛关注,而在内地则反响平平。运用接受美学的相关理论对造成两岸不同播出效果的原因进行了分析。《海角七号》具有独特的美学表现,其对受众期待视野的构建与超越、空白的合理运用与巧妙设置体现了接受美学在影视创作上的借鉴意义,亦为当今影视创作提供了另一种思考向度。
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| 关 键 词： | 《海角七号》 接受美学 期待视野 空白理论 |
Interpretation of the Popularity of the Film CAPE NO.7 from the Perspective of Receptional Aesthetics |
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| HONG Liu-si. Interpretation of the Popularity of the Film CAPE NO.7 from the Perspective of Receptional Aesthetics[J]. Journal of Hebei North University, 2011, 0(6): 9-12 |
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| Authors: | HONG Liu-si |
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| Affiliation: | HONG Liu-si(College of Chinese Language and Literature,South China Normal University,Guangzhou,Guangdong 510006,China) |
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| Abstract: | Taiwan's local movie CAPE NO.7 receives a lot of attention after its release in Taiwan,while raises mediocre public repercussions in the Mainland.The paper,using related theories of receptional aesthetics,makes an analysis of reasons and thinks that the movie has special aesthetics expressions,and the establishment and surpassing of the audience's horizon of expectations,and proper application and clever arrangement of blank space reveal the significance of receptional aesthetics in modern creation of film ... |
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| Keywords: | CAPE NO.7 receptional aesthetics horizon of expectations blank space theory |
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