论20世纪80年代文学审美论确立的途径 |
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引用本文: | 赵学存.论20世纪80年代文学审美论确立的途径[J].合肥教育学院学报,2014(1):69-72,101. |
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作者姓名: | 赵学存 |
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作者单位: | [1]合肥师范学院文学院,合肥230601 [2]苏州大学文学院,江苏苏州215123 |
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基金项目: | 国家社科基金项目“中国文论现代化进程中的郭绍虞经验及其意义研究”(12BZW004)、安徽省教育厅人文社会科学研究项目“宗白华文艺批评精神研究”(SK20128392)、苏州大学博士研究生学术新人奖项目(58320228)资助. |
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摘 要: | 20世纪80年代,文学的“审美本质特征论”逐渐取得共识。这种文学审美论的建立经历“破”和“立”的过程:“破”的过程包含两种途径,即以“共同美”反拨阶级斗争工具论,以形象思维反拨认识功利论;“立”的过程包含一种途径,即以审美论替代机械反映论。“破”为“立”做好铺垫,“立”最终实现“破”的目的。
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关 键 词: | 20世纪80年代 文学 共同美 形象思维 审美 |
On the Establishing Way of Aesthetic Theory on Literature in the 1980s |
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Authors: | ZHAO Xue-cun |
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Institution: | ZHAO Xue-cun ( 1. School of Chinese Language and Literature, Hefei Normal University, Hefei 230601 ; 2. School of Humanity, Sooehow University, Sooehow 215123, Jiangsu, China) |
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Abstract: | In the 1980s,aesthetic essence theory on literature was gradually accepted, which underwent destruction as well as construction. Destruction is a way to revolt against “the theory of class struggle tool” with common aesthetic feeling and the “theory of rational knowledge role” with the image thinking. Construction is a way to replace “the mechanical theory of reflection” with “aesthetic theory”. “Destruction” is the preparation of “construction”, while “construction” is the aim of“destruction”. |
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Keywords: | 1980s literature common aesthetic feeling image thinking aesthetic |
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