| 陈培勋与其他作曲家作品中的和声比较研究 |
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| 引用本文： | 冯丽.陈培勋与其他作曲家作品中的和声比较研究[J].茂名学院学报,2006,16(5):80-82. |
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| 作者姓名： | 冯丽 |
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| 作者单位： | 茂名学院艺术系,广东,茂名,525000 |
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| 摘 要： | 通过分析、比较陈培勋与丁善德、朱践耳等其他作曲家作品的和声手法之运用,归纳他们各自的创作特点以及与陈培勋先生在创作手法上的共性,从而体现出陈先生作品在技法与风格上的个性;希望通过这一研究能引起作曲理论界对中国和声运用问题的更大关注。
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| 关 键 词： | 陈培勋 和声运用 作曲理论 |
| 文章编号： | 1671-6590（2006）01-0080-03 |
| 收稿时间： | 2005-10-15 |
| 修稿时间： | 2005-11-09 |
A Comparative Study of Harmonic Works by Chen Pei-xun and Others |
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| FENG Li.A Comparative Study of Harmonic Works by Chen Pei-xun and Others[J].Journal of Maoming College,2006,16(5):80-82. |
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| Authors: | FENG Li |
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| Abstract: | Through a comparative study of the application of such composers as DING Shan-de,Zhu Jianer to the harmonic technique,this paper concludes their own composing characteristics and the common points on the composing concept,serving as a foil to the breakthrough of his work in the technique and style at that time.It is expected that the field of composing theory can give more concern on the application of harmonic technique in China. |
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| Keywords: | CHEN Pei-xun harmonic application composing theory |
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