| 汪曾祺的"人学"与"艺道" |
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| 引用本文： | 张灵.汪曾祺的"人学"与"艺道"[J].石家庄学院学报,2006,8(1):82-88,127. |
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| 作者姓名： | 张灵 |
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| 作者单位： | 北京语言大学出版社,北京,100083 |
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| 摘 要： | 汪曾祺在“人学”上持一种平民的民间立场;相应,在“艺道”上,持一种行业态度和“倾向植物”的自然审美意识。作为一名卓越的作家,他有自己独特深刻的话语实践策略,他的隐含着双重视角的风俗画般的作品,显示了他的性灵派的儒家的独特的精神境界。
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| 关 键 词： | 汪曾祺 人学 艺道 话语实践策略 双重视角 |
| 文章编号： | 1673-1972（2006）01-0082-07 |
| 收稿时间： | 2005-10-12 |
| 修稿时间： | 2005年10月12 |
Wang Zengqi's Thoughts on Human Being and Writing |
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| ZHANG Ling.Wang Zengqi''''s Thoughts on Human Being and Writing[J].Journal of Shijiazhuang University,2006,8(1):82-88,127. |
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| Authors: | ZHANG Ling |
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| Abstract: | Wang Zengqi always looked upon the human being from the perspective of common-folk people and maintained a professional attitude of pure literature. His aesthetic consciousness had an intense natural character and a deep affinity with plants.As an excellent writer,he had a unique and profound discourse practice strategy. With a hidden dual angle of view and characteristics of a folk-way painting, Wang's works show his particular inner world of a disposition-mode Confucianist. |
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| Keywords: | Wang Zengqi human being studies principle of art of writing discourse practice strategy dual angle of view |
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