图形—背景理论与中国经典诗词的意境焦点域

图形与背景理论是认知文体学中的重要内容,任何知觉场都由图形和背景两部分组成,被感知的区域称为"图形",被忽略的部分称为"背景",两者不可同时被感知。随着认知诗学的发展,图形与背景理论不仅可以对语法现象进行详细的分析,也可以对文学文本进行探究。把图形-背景理论应用于中国经典诗词的研究,探讨图形-背景之间的基本关系对经典诗词意境的形成以及读者在理解诗词意境焦点的过程中所起到的作用,可以为诗歌的研究和赏析提供一个新的视角。

Figure-ground Theory and Artistic Conception Focus Domain of China Classic Poems

Figure-ground theory is the key part of cognitive stylistics for all perception domains are made up of figure and ground,the perceived part as figure and the neglected part ground because the two can’t be perceived at the same time.With the development of cognitive poetics,figure-ground theory can be applied to analyze grammar phenomena and literature text.The application of figure-ground theory to China classic poems study to explore its role in the artistic conception forming of classic poems and readers’ understanding the focus domain,will provide a new perspective to the study and appreciation of poems.