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音乐是人类情感符号的创造——解析苏珊·朗格的音乐哲学思想
引用本文:刘智强.音乐是人类情感符号的创造——解析苏珊·朗格的音乐哲学思想[J].黄山学院学报,2008,10(6).
作者姓名:刘智强
作者单位:湖北师范学院音乐学院,湖北黄石,435002
摘    要:朗格的情感符号理论在20世纪占据着重要的地位,她站在哲学前沿的制高点上,运用辩证原理对音乐的情感、音乐的虚幻性质、音乐的直觉顿悟及音乐的内容与形式的关系等一系列的问题作了深刻地论述,显示了她深厚的理论功底和音乐哲学的独特见解.

关 键 词:苏珊·朗格  音乐哲学  情感符号  时间幻象  生命形式

Music, the Symbol of Human Feelings An Interpretation of Susan Langer's Musical Philosophy
Liu Zhiqiang.Music, the Symbol of Human Feelings An Interpretation of Susan Langer's Musical Philosophy[J].Journal of Huangshan University,2008,10(6).
Authors:Liu Zhiqiang
Institution:Liu Zhiqiang (College of Music,Hubei Normal University,Huangshi435002,China)
Abstract:Langer's theory, which advocates that music is the symbol of feelings, plays an important role in the twentieth century. At the philosophical vantage point, she elaborated the following issues: the feelings of music, the imaginary aspect of music, the instinctive aspect of music, and the relation between the content and form, which demonstrates her solid theoretical foundation and unique perspectives on musical philosophy. She introduced symbol of feelings into music, paving way for the further exploration ...
Keywords:Susan Langer  musical philosophy  symbol of feelings  time illusion  life form  
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